Claims Conference Disgraceful Exploitation of the Holocaust
May 1st, 2008 Odelya
Today we mark the Holocaust Memorial Day. Last year, the entire country was shaken after watching the documentary film “The Morals of Restitution“ (Musar Hashilumin) . The film, created by the socially-conscious journalists Orly Vilnai Federbush and Guy Meroz, revealed the shameful economic conditions of so many of the holocaust survivors who live in Israel. More than 80,000 Shoah survivors live in atrocious poverty without some of the most basic means such as food and medicine. One survivor told the cameras shockingly that she had to go back to Germany, a place of her persecution, due to Israel’s lack of financial support. The film raised a pointing finger at the Jewish institutions including the Israeli banks, JNF (Jewish National Fund) and the Claims Conference, an organization established for the primary purpose of transferring restitution funds from Germany, for withholding payments of survivors who are literally dying in the meantime.
How could this happen in Israel, a state built by and for Jews? This is the question the audience of this documentary is left with. There was a point where things seemed as they were about to change. People protested and the Prime Minister Ehud Olmert made a speech emphasizing the importance of the Holocaust survivors for this country while promising to distribute special funds. It all turned out to be a mere media spectacle – survivors were given a one-time allowance of a few dozen NIS and were left forgotten again.
A year has passed since. In a sequel broadcast last night the journalists returned to further investigate how and whether things have changed. They didn’t. Many of the survivors passed away while others continue in their daily suffering. The sequel shows how the Claims Conference organization has turned into a corrupt money making machine accumulating fortunes for its own benefits and agenda.
In light of this, one must wonder how these people live with themselves. More importantly, how does our society allows this to happen? It is about time that we not only remember but wake up from our apathy and take action to protect these people from death in disgrace. The only positive thing emerging from this issue is the courage of the creators to speak out which highlights the true purpose of journalism.
Israel’s News Blog Magazine: Daily Stories Video and Photos
An indication of an increase in violence in Israel was clearly demonstrated Tuesday when a Holon man, Yosef Bavli, parked his van in a space that was claimed by a neighbor of his, Yaron Kabaz. Kabaz, who didn’t even own a car, was so perturbed by this that he let the air out of Bavli tires. When Bavli came back later with a friend to pick up the car, an intense argument broke out, which ended with Bavli being stabbed to death by the parking space “owner”.
Many of these ’song and dance’ reality shows, involve hundreds of contestants vie for a beginning position that ends up weeks later with only one candidate winning first place. In the most recent of these programs, “Born to dance”, hosted by Israel’s “favorite MC” Tzvika Hadar; three contestants reached the finals, in which a young man named Natanel (pictured) won a first prize of NS 100,000. While this is not big money as compared to something in American or UK TV, it gives the final contestants a lot of exposure that can result in being awarded private entertainment contracts later on. Ratings are very important to these programs and Israel’s two commercial TV channels, Channel 2 and Channel 10 are constantly competing with each other for a big share of the nightly viewing audience. Since both channels have commercials, that “share” is very important as it means more contracts with companies that pay top money for prime-time ’spots’ on TV.
Finally, the voting of the Hollywood Film Arts Academy is in and the Israeli movie Beaufort didn’t win the Oscar. Losing out to another foreign language film entitled The Counter Fitters, many members of the Israeli film arts industry are perhaps a bit disappointed that this movie, based on the experiences of an IDF combat unit in a bunker atop the ancient Lebanese Crusader fortress of Beaufort, didn’t result in Producer David Silver and Director Joseph Cedar mounting the stage for the first time to give their acceptance speech for the coveted award.








